The Contemporary Translation of Wabi-Sabi Aesthetics: From Eastern Philosophy to Fashion Design Practice

Abstract

This article explores the application of wabi-sabi aesthetics in contemporary fashion design. It analyses wabi-sabi’s connotations, definitions and impact on fashion design, and examines cases of designer brands, summarising its expressions, characteristics and design elements for practical use. It explores the origin and connotation of wabi-sabi in Chinese Buddhist and Eastern Zen contexts. Then, it introduces the meaning and origin of wabi-sabi, as well asa its four core characteristics: simplicity, imperfection, seclusion and frugality. Through the analysis of wabi-sabi in other art and design fields, the paper reveals its influence on modern design and examines its impact on fashion. Through literature research, material analysis and a combination of graphics and text, the paper explores the external manifestations of wabi-sabi in modern fashion and summarises its characteristics in this field. It also uses relevant domestic and international brands as case studies. The paper identifies inherent design elements and provides references for the application of wabi-sabi in fashion, serving as a key theoretical basis for subsequent design practice. Finally, the author applies wabi-sabi to garment design, compares the results with the prior analysis and summarises the findings. The paper also discusses how new designers can grasp wabi-sabi, convey its spiritual culture through design, and explore its application.