An Exploration of the Relationship between “Time-Space Compression” Theory and Changes in the Aesthetic Experience of Classical Poetry

Abstract

Drawing on the theory of time-space compression proposed by David Harvey in The Condition of Postmodernity, this paper analyzes the phenomenon of the dissolution of homogeneous time and space fostered by rapid social development and ever-evolving modern technology. The convenience formed by transportation compressing travel time, and global connectivity through instant communication creating a “global village,” are profoundly reshaping public perceptions of time and space and significantly altering the aesthetic experience of classical poetry. This paper examines the impact of time-space compression on the aesthetics of classical poetry from three dimensions: First, compressed temporal-spatial perception diminishes the profound empathy carried by imagery of parting, wandering, and homesickness in ancient works; accelerated time and collapsed spatial barriers dilute the poignant, distant poetic beauty nurtured within traditional temporal-spatial contexts. Second, it disrupts the traditional stable order of time and space, shifting the enduring, contemplative, and precipitated eternity of poetic aesthetics toward fleeting and transient experiences. Third, the core of aesthetics shifts from spiritual empathy and mental realization toward superficial material and sensory perception.